conference - sxsw

2011 SXSW experiences part 1

Due to a few things, (mainly my lack of organisation), my SXSW experience did not start well. In fact, it started with a 5 hour delay to the flight, stuck on the tarmac at Heathrow as the American Airlines plane got a valve fixed. The staff did their best, we got snacks, drinks, but we were stuck on a plane not going anywhere. At 4 hours in, there was an announcement that we were now allowed to leave, as soon as they found some immigration and customs staff to do all the admin. 30 mins later, the problem was fixed and we were ready to go. But now, due to shift limits, we were not going to Dallas, but to New York. New York acheived, out through immigration and customs and back through security to get on the same plane down to Dallas, with a new crew. So instead of an good night’s sleep, I got less than 2 hours in my hotel before leaving again for the trip to Austin.

Once there, plans became fluid. Taking a look at the cinema where the documentary Senna was playing, I got recognised by a Twitter contact, Statesmanf1. A local journalist, he was perfectly placed to find me a good place to eat breakfast and then hang around with atfter the film. He had a spare pass to the post-film reception, being run by the Austin Formula 1 group to help promote next years event. Some chat, food, drink, a few speeches and an F1 car in the sun made for a lovely afternoon.

So it was only in the late afternoon that I made my way to the coonvention centre to collect pass and start meeting up with people. Although the evening did not last long, as completely exhausted with travel, I had a quick dinner and an early night.

Day 2 started with an early breakfast with Rebecca, a friend from London who had moved to New Zealand. Then panels, about TED and about ethics in transmedia, lunch with a great bunch of transmedia people (Adrian, Andrea, Dee, Brad and …why can’t I remember the otehr 2 names!) before back to keynote with Chris Poole. Now to recharge before starting the next part of the day

SXSW 2100