Jarvis Cocker

WARNING: liveblogged – left in first person

Jarvis Cocker

This is about the Extraordinary

Artists are storytellers, they tell us different versions of the story about what it means to be a human being. Lots of people want to be an artist, but everyone of you is an artist, but perhaps you have not realised it yet maybe you have been looking for information on how to be an artist in the wrong place.

You are trying to be unique, like everyone else. But you unique and maybe you are overlooking at in your quest to be unique.

I’m going to teach you how to be an artist. And teach you how to fly. I will tell you how I learnt. Where do people learn how to do things – at school. School did not teach me how to be a popstar – which is what I wanted to do. So I formed a band. It was the standard line up, drums, bass guitar and plastic tortoise. Decided wanted to play concert at schools – tickets 20p for live Pulp…but if were going to offer 30mins of live songs, you need to have the songs.

Where do we look for inspiration?

In Pulp’s case, it began with Shakespeare, inspired by an English lit lesson [he played an extract of Shakespeare rock]. It was a bad song that illustrates what starts to happen when you start writing songs; and as a singer, it is often your job to write words. So, to get round fear, so you may write a funny song or the sixth form poetry route (a song that sums up the total of human existence in 3 minutes). Between the 2 pols, you have to try and find the way for something to say.

So a definition of an artist could be someone who has a unique and convincing way of saying something.

If you look that part can you be that part. At 15-16, i knew I wanted to be in a group, but did not know how to do it. My look reflected this. Hair – from Ian McCulloch. I loved Echo and the Bunnymen – perfect for hair that tended towards bushiness. A ‘beard’ from Stranglers Hugh cornel singer. Glasses – from Elvis Costello. That was good – it turned NHS glasses into cool rockstar glasses. Thought if I looked like the stars, then maybe I would develop their talent…

I learnt that I should be looking at closer and more mundane. There anything more mundane than a bus journey (reads lyrics from Inside Susan, about a bus journey) recorded in 1992, based around events of the school picture – so 11 year lag. It took 11 years to recognise the inspiration that was all around him at school

The next chapter, was St Martins School of Art, when it was at Long Acre. The name gave me hope, school of art. surely you learn how to be artist there. We got lectures about artists, etc, but I never got to write a song about the artists. But i got into raving. I wasn’t supposed to, obviously not, but it was an education [he read the original poem song that became “sorted for es and whizz”]. So this was on album in 1995, about events in 88, so down to a 7 year gap ( I’m not going to talk about the other song about st martins college)

He had escaped from Sheffield, felt I had to keep escaping by writing songs. (quotes lyrics of Wicker Man, on the last album – as story about a river in Sheffield). In the end inspiration I’d been looking for had been under my nose all the time, it took a change of scenery. that’s what makes it easy to miss, if you are always gazing towards the horizon it is too easy to discount the underlying reality. the scenery the mundane, the everyday life. but no, that is you , that is the important things.

I promised to unlock your creativity. [picture of a traffic cone]. If you think about an everyday object, you become aware of associations eg town planning, cars, traffic. If you were at uni, the ones on tops of statures or buildings. If you download video, you may think of VLC. Or the album of kraftwerk. Or works of art.

The point is that we see the same world everyday but the way we reconstruct that world inside our heads is to be the complex web of associations of upbringing and culture etc. A human eye is also a projector, we see the same world, but we reconstruct it in different ways, may be slightly different, but everyone is doing that. All you have to do is write that down, express that in some way. it will be a unique and creative work of art. accept uniqueness and capture the associations and you will be artist

You have to tune in to the wonder that is all around you, it is all there

The ordinary moments…becomes the extraordinary.

Zoe Whitley (Tate Modern)

Zoe Whitley, curator at the Tate

She wants to talk about the “never meet your heroes” statement…because she’s never met hers. It’s about expectations. When you meet people that are larger than your life, you don’t want to meet any who may show something that does not meet that, that shows their imperfections.

She wants to talk about artists as people. She can’t assume that anyone has seen the exhibition she curated, so how does she talk about the exhibition if you have not seen it. So, she’s going to talk about the artists.

On Monday the Obama portraits were unveiled. Her Instagram feed was 100s of pictures of Michelle; every other black curator was so excited about it. She was shocked that ‘regular ‘ people weren’t too happy about them. There were big stories in the press. She challenged friends perceptions, eg how the flowers in barrack’s portrait represented things. She talked about how the artist used colour in particular ways. But those are not the types of things that interest everyone. A starting point – what does it mean to curate for ‘regular’ people (ie not art appreciators). For Michelle, this was a painting that would exist in an intuition that little black girls could visit.

In working on soul of the nation, what it would mean for people who looked like her, what would they think. How do you communicate ideas about who gets to be an artist, the different types.

She started to study art history at 14. She had gone to an elite high school, in which she could do studio art as history. By 15, she could name and recognise modern artists, people who would put LA on the map – male, white etc. However, there were other influences – Guerrilla Girls; a group of visual artists, who talked about representation. She talked to her teacher about this – who did not get defensive but gave her a book about African American artists…so she could learn about the relevant artists.

Thinking about soul of the nation, about physical objects that people would pay to see, to make it a subject matter that was relevant to the lives of young people, to get people through doors in London. They commissioned a series of films that exist on line – you did not have to come to museum to be introduced to the artists.

An artist needs mirrors to see themselves. The young white artist can cobble themselves together from many artists, the young black artist can’t. That is changing. It’s why there is such excitement about Black Panther. It is not everyday that people like her see themselves as nuanced characters in popular culture.

For Soul of the Nation, the lead image was by Barclay Hendricks, a self portrait, in a superman t-shirt, but naked below waits. He created it as it as an icon – with metal leaf. It is focusing on what it means about seeing yourself (about being mirrored).

One artist was Betty Shae, born 1926. She always knew she was going to be an artist, she has one image from when she was be 5, it opened some of her recent shows where there was a lifetime body of work, started with the early crayon drawing. At what age do we become artists – or get messages from society and family that we should not be that, that we need to follow a career path. Picasso said all children were born artists…and the challenge is to remain that.
It was really important that they kept the artists foremost, instead of the work, because of the struggles that had to do the work

WARNING: Liveblogged. Edited for clarity

Camilla Wright is the founder of Popbitch

Camilla Wright

You think you know what the story of our time…but often what you see is what one paper wants you see, or an advertiser wants, or a couple of people made up. So what we see becomes narrow. Popbitch can be broader. Founded over 20 years ago, every week they send out about 500k emails, covering the news of the week. In 1998, (the time of Britney Spears, One More Time) pop culture was not the daily currency it is now. Pop for 1998 was just for kids, the coverage of music was boring; they thought there was room for pop coverage for adults.

There was little shared culture. They looked to set up a magazine, but the costs were enormous. it was hard. just getting WH Smith to stock was impossible. A year later, with the initial growth of the net, newsletters were starting. This is something they could do. They were working in news industry, so they know there were more stories than were being told.

They decided to write up the stories and send out to friends. They had one night with weed and whisky to try and come up with something. The following morning, woke up with the name on a piece of paper. Popular and populist is important. They wanted to cover it and cover it properly. They really started with a text email, sending out to friends. Started off talking about Notorious BIG. The first issue ended with Boy George having an ironic death (nearly), being hit by a glitter bomb. They sent lots of trivial facts out. eg Robbie Williams new dog, Mel b Xmas present. Over the next few weeks they tweaked. after a few weeks we realised that people were trying to subscribe to it, people they did not know. It was all handrolled then.

The media started to cover it…people asked to subscribe and they started to share their stories (back with them) they did not pay (fees), people just wanted to share. eg Madonna wanting to name her baby, Geri Halliwell writing cheque to the dentist. A lot of it was trivial gossip, but occasionally was more.

In 2002, they almost blew the story of the phone hacking. In one of their stories, they mentioned d how they could dial into messages. It was 4 more years before the rogue reporter arrested and 2009 before it was pushed out by The Guardian.
They recognised that it is in popular culture that real shifts can take place. They told stories that turned out were important – but the most important was the one they could not tell. One story that got linked to them – Beckham having an affair. It was never published in the newsletter but discussed with a few people on the message board. But that was enough, the lawyers all came down on them. They did write an article about the hassle and there being no smoke without fire…but added nothing about the affair. They were on the 10 o’clock news, the front of the newspapers – all about how they were gossiping and scurrilous. The press punished them (even though everyone was after the story). The press chased them; Popbitch was still a hobby, they were stalked on way to walk. 1000’s signed up; they couldn’t cope. if they were antagonising the lawyers, they were doing something right. The PR world was worried about them, they tried to close it down. the old world was getting worried.

They were telling the stories that people in the know were talking about anyway, but not telling their readers. They just decided to open it up, the democratisation of gossip. You don’t want there to be one approved line, you want there to be many stories, the truth is likely to be somewhere in the middle….doesn’t mean everything is right, nor that they are always right.

Saville: when alive was eulogised for charity. In Popbitch, he was more likely to be a creepy gangster that too close to the girls. When he died, Popbitch said that they had the most bad stories about Saville; when alive everyone loved him, he was now a monster when dead.

But the very nature of this type of gossip mean they get things wrong. Or right.
James Corden, most newspaper coverage would suggest he is the most popular star, but there is no one recently we have had more negative stories about. The story about Ant McPartlin is not the story behind the scenes. Gordon Ramsay’s father in law ( Chris Hutcheson – ran his restaurants) They got a story about him, a second family. They wrote a blind story; his lawyers got in touch and took out a super injunction to stop the press talking about this. So could not talk about it (until recently, when Sun applied for it to be over turned. And Hutcheson is a story that keeps on giving.

They do push the bitch with the pop, but try not to be mean. They try to be sharp. but have got this wrong sometimes, They want people to feel love and warmth, not just bitching. They want people to share, you may want something sharp to take off the saccharine of the celebrity culture.